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	<title>The Portfolio of Padraic Driscoll</title>
	<link>https://padraicdriscoll.com</link>
	<description>The Portfolio of Padraic Driscoll</description>
	<pubDate>Tue, 05 Mar 2024 02:06:17 +0000</pubDate>
	<generator>https://padraicdriscoll.com</generator>
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	<item>
		<title>Home</title>
				
		<link>https://padraicdriscoll.com/Home</link>

		<pubDate>Fri, 23 Feb 2018 15:06:40 +0000</pubDate>

		<dc:creator>The Portfolio of Padraic Driscoll</dc:creator>

		<guid isPermaLink="true">https://padraicdriscoll.com/Home</guid>

		<description>





	Direction&#38;nbsp; +&#38;nbsp; Motion&#38;nbsp; +&#38;nbsp; Design


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	<item>
		<title>Reel</title>
				
		<link>https://padraicdriscoll.com/Reel</link>

		<pubDate>Sun, 25 Feb 2018 14:14:40 +0000</pubDate>

		<dc:creator>The Portfolio of Padraic Driscoll</dc:creator>

		<guid isPermaLink="true">https://padraicdriscoll.com/Reel</guid>

		<description>


	_Reel
	I have been fortunate to work with many talented designers who helped bring a lot of these pieces to life. For more details, please check out the individual pieces on this site, or see the shot list below.




	


_Shot List
0:04-0:08 // Beyond Earth // Art Director, Designer, Lead Animator

0:08-0:13 // CNN+, Masters in Medicine // Creative Director

0:13-0:16 // Sex Before the Internet // Art Director, Designer, Animator

0:16-0:19 // Leguizamo Does America // Art Director, Designer, Animator

0:19-0:22 // Life After // Art Director, Designer, Lead Animator

0:22-0:26 // Go There // Art Director, Designer, Animator

0:26-0:27 // CNN+, The Don Lemon Show // Creative Director

0:27-0:32 // Anderson Cooper Full Circle // Art Director, Designer, Animator

0:32-0:35 // Heroin: The Poisoning of America // Art Director, Designer, Animator

0:35-0:38 // CNN Investigates: People in Power // Art Director, Designer, Animator

0:38-0:41 // CNN+, Crash Templates // Creative Director

0:41-0:43 // Impeachment: How We Got Here // Art Director, Designer, Animator

0:43-0:44 // Citizen // Art Director, Designer, Animator

0:44-0:46 // CNN+, Spaced Out // Creative Director, Designer

0:46-0:49 // CNN+, Is It Kosher? // Creative Director

0:46-0:50 // CNN+, Cari &#38;amp; Jemele: Speak.Easy. // Creative Director, Designer, Lead Animator

0:50-0:53 // CNN+, Pop Docs // Creative Director

0:53-0:55 // Brothers in Arms // Art Director, Designer, Lead Animator

0:55-0:57 // Battlefield // Art Director, Designer, Lead Animator

0:57-0:58 // CNN+, Pilot Styleframes // Art Director, Designer

0:58-0:58 // CNN+, Jake Tapper’s Book Club // Creative Director

0:58-0:59 // Chaser // Art Director, Designer, Lead Animator

0:59-0:59 // CNN VR Bumper // Art Director, Designer, Lead Animator

0:59-0:59 // CNN+, 5 Things // Creative Director, Designer, Lead Animator






Music: Polyphia - G.O.A.T.




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	<item>
		<title>NWSL</title>
				
		<link>https://padraicdriscoll.com/NWSL</link>

		<pubDate>Tue, 05 Mar 2024 02:06:17 +0000</pubDate>

		<dc:creator>The Portfolio of Padraic Driscoll</dc:creator>

		<guid isPermaLink="true">https://padraicdriscoll.com/NWSL</guid>

		<description>


	_NWSL
	For the launch of the 2024 National Women’s Soccer League (NWSL) season, I partnered with Gameday Creative and Scripps Sports to design, animate, and toolkit a new promo package.






_The Process_Moodboard
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7d1df2042f7c5c6133eff9eddac1cd5216e44dd0b216546df5812688434398ee/NWSL_Moodboard.jpg" data-mid="212782834" border="0"  src="https://freight.cargo.site/w/1000/i/7d1df2042f7c5c6133eff9eddac1cd5216e44dd0b216546df5812688434398ee/NWSL_Moodboard.jpg" /&#62;
_Styleframes
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/adb1a6125765a81158bbacb6e83998d66b381b6ff0e17a2a4d3f5cf8bbc2b5f8/NWSL_Styleframe.jpg" data-mid="212782837" border="0"  src="https://freight.cargo.site/w/1000/i/adb1a6125765a81158bbacb6e83998d66b381b6ff0e17a2a4d3f5cf8bbc2b5f8/NWSL_Styleframe.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/381d5e74463366ed94c961d19cd71f37d1ff81accf94e267ecb162ba8981766a/NWSL_SingleTeam.jpg" data-mid="212782835" border="0"  src="https://freight.cargo.site/w/1000/i/381d5e74463366ed94c961d19cd71f37d1ff81accf94e267ecb162ba8981766a/NWSL_SingleTeam.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9d24adc3991962eb2b470a56680dcbaede05636a0f7a88bdfd3830f4f707a543/NWSL_EndCard.jpg" data-mid="212782833" border="0"  src="https://freight.cargo.site/w/1000/i/9d24adc3991962eb2b470a56680dcbaede05636a0f7a88bdfd3830f4f707a543/NWSL_EndCard.jpg" /&#62;









 Scripps was looking for flexible graphics options to promote each matchup week-to-week. They also wanted to introduce several new NWSL teams to their audience that had recently been added to the league.


The challenge was that these teams did not yet have any highlights. Scripps needed team-tailored visuals that were attention grabbing, dynamic, and also still clean and in alignment with the broader Scripps Sports broadcast Identity.


To pull this off, we built on top of the breadth and richness of each teams branding; colors, crests, etc, carefully augmenting each with texture, depth, light, and atmosphere. It took time to dial-in consistent details in anticipation of many possible variations across a variety of deliverables, from fully customizable bumpers, to transitions, tags, and sponsor cards.


The effort paid off though, as the client was happy, we were still within budget, the work looked great, and the season kicked off without a hitch.


Creative Director: Eric Say

Art Director, Designer: Padraic Driscoll

3D Animator: Dylan Blau

Additional 3D Animators: Saulo Carvalho, Gustavo Araújo, Myron Blocksome

Executive Producer: Scott Flato


Music: Little People - Start Shootin’ (Little People’s Americana Remix)

&#38;nbsp;&#60;img width="960" height="540" width_o="960" height_o="540" data-src="https://freight.cargo.site/t/original/i/0e0d5c416df89282f672936141fbe876642bc0ad0ec5a2daf34cefabc9185932/NWSL_Matchup.gif" data-mid="212783024" border="0"  src="https://freight.cargo.site/w/960/i/0e0d5c416df89282f672936141fbe876642bc0ad0ec5a2daf34cefabc9185932/NWSL_Matchup.gif" /&#62;

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	<item>
		<title>Season Launch</title>
				
		<link>https://padraicdriscoll.com/Season-Launch</link>

		<pubDate>Wed, 10 Jan 2024 01:36:31 +0000</pubDate>

		<dc:creator>The Portfolio of Padraic Driscoll</dc:creator>

		<guid isPermaLink="true">https://padraicdriscoll.com/Season-Launch</guid>

		<description>


	_Season Launch
	

In the lead-up to the 2023-24 season, I was brought in to help the Pittsburgh Penguins revamp the look of their in-game fan experience. As the generational talent on the ice nears retirement, there is a renewed focus on the overall fan experience.








&#60;img width="1280" height="677" width_o="1280" height_o="677" data-src="https://freight.cargo.site/t/original/i/c80435b443249538ac405300a7df320c14376442511b0b593fc30360e862f2d4/Pens2324_scoreboard.jpg" data-mid="201285567" border="0"  src="https://freight.cargo.site/w/1000/i/c80435b443249538ac405300a7df320c14376442511b0b593fc30360e862f2d4/Pens2324_scoreboard.jpg" /&#62;

Scoreboard under construction, humans for scale.&#38;nbsp;
(image c/o Pittsburgh Penguins)


_The Process

_Goal Animation Moodboards&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/9e4222cb7acafd7c0d6e39de9bc1fd5ceb197eb02b41e3f03a404fdc33c2b078/Pens2324_moodboard.jpg" data-mid="201283552" border="0"  src="https://freight.cargo.site/w/1000/i/9e4222cb7acafd7c0d6e39de9bc1fd5ceb197eb02b41e3f03a404fdc33c2b078/Pens2324_moodboard.jpg" /&#62;





_Styleframes


&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/596dc92e83315ca22f31dde0035436e725fb547e8abc722d94b7117b1ef6fd4e/Pens2324_styleframe_01.jpg" data-mid="201283553" border="0"  src="https://freight.cargo.site/w/1000/i/596dc92e83315ca22f31dde0035436e725fb547e8abc722d94b7117b1ef6fd4e/Pens2324_styleframe_01.jpg" /&#62;

&#60;img width="1280" height="876" width_o="1280" height_o="876" data-src="https://freight.cargo.site/t/original/i/0e1d8ec20f96827d97eba40db45c8bfa62b607dc0a30d2476c7e229cd774d1a3/Pens2324_styleframe_02.jpg" data-mid="201283554" border="0"  src="https://freight.cargo.site/w/1000/i/0e1d8ec20f96827d97eba40db45c8bfa62b607dc0a30d2476c7e229cd774d1a3/Pens2324_styleframe_02.jpg" /&#62;&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/d8a298b2b731f74b87224e571b011274b98967844d8c60aadc8220b475b0375e/Pens2324_styleframe_04.jpg" data-mid="201283555" border="0"  src="https://freight.cargo.site/w/1000/i/d8a298b2b731f74b87224e571b011274b98967844d8c60aadc8220b475b0375e/Pens2324_styleframe_04.jpg" /&#62;


Investing millions of dollars in infrastructure upgrades, including an entirely new (and significantly larger) center hung scoreboard, we needed to really draw in and excite fans, and had a massive canvas to do that with. Goal animations, pre-game power-ups, and even noise meters had to be built from the ground up.


High energy, dynamic, and dimensional motion utilizing the (newly) seamless LEDs wrapped around the scoreboard was key. The goal was to create elements that extended cleanly all the way around the center hung, fully utilizing that space to build energy with our visuals. Forced perspective, aka anamorphic 3D, was also an exciting avenue to pull this off with; pushing elements out of the frame and directly towards the audience.


Overall, the project was extremely challenging but also rewarding as an opportunity to explore new creative concepts and literal perspectives.







Executive Producer: Aaron Spiegel

Art Director, Animator: Padraic Driscoll

Technology Operations Manager: Zach TykeMusic: 

P.T. Adamczyk - Force Projection




&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/d556f20852ba05fcd22825fb81d18699c0bc38b7d5f6c1f18dd1e9a2b9033c1f/Pens_GoalAnim_AllBoards_v3_2.gif" data-mid="201283551" border="0"  src="https://freight.cargo.site/w/1000/i/d556f20852ba05fcd22825fb81d18699c0bc38b7d5f6c1f18dd1e9a2b9033c1f/Pens_GoalAnim_AllBoards_v3_2.gif" /&#62;&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/db0beb1633769443672b8d7d5181544d6b6fc34b47343e3e7e042e06dff125a1/Penguins_2023_BTS_v2.gif" data-mid="201283916" border="0"  src="https://freight.cargo.site/w/1000/i/db0beb1633769443672b8d7d5181544d6b6fc34b47343e3e7e042e06dff125a1/Penguins_2023_BTS_v2.gif" /&#62;&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2f7bb84bcdafa34f2b7a07762995435dfdafea54be0e479bf3c79f2776234354/Penguins_2023_BTS_v1.gif" data-mid="201283915" border="0"  src="https://freight.cargo.site/w/1000/i/2f7bb84bcdafa34f2b7a07762995435dfdafea54be0e479bf3c79f2776234354/Penguins_2023_BTS_v1.gif" /&#62;
















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		<title>Weed</title>
				
		<link>https://padraicdriscoll.com/Weed</link>

		<pubDate>Mon, 10 Jul 2023 17:50:31 +0000</pubDate>

		<dc:creator>The Portfolio of Padraic Driscoll</dc:creator>

		<guid isPermaLink="true">https://padraicdriscoll.com/Weed</guid>

		<description>


	_Weed
	For the seventh installment in Dr Sanjay Gupta’s Weed series for CNN, the production team was looking to bring dimension, and an elevated production value to a series of full screen explainer animations about the science of cannabis.






_The Process_Moodboard&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d7103fa5bf37dcb7e3edc1186bf35625f0e13425447b60e592855a6c815ab97b/CNN_Weed7_Moodboard.jpg" data-mid="184898755" border="0"  src="https://freight.cargo.site/w/1000/i/d7103fa5bf37dcb7e3edc1186bf35625f0e13425447b60e592855a6c815ab97b/CNN_Weed7_Moodboard.jpg" /&#62;
_Styleframes
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c56bbdb6b4ce88c1e2576fedeea03b4b3cde5212813c64c7ba12c14382532ec0/CNN_Weed7_Styleframe_3-3.png" data-mid="184898843" border="0"  src="https://freight.cargo.site/w/1000/i/c56bbdb6b4ce88c1e2576fedeea03b4b3cde5212813c64c7ba12c14382532ec0/CNN_Weed7_Styleframe_3-3.png" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6298e11ba9128337546d329f845020996ae9dd39d39b62f624610e7cf7aa6e13/CNN_Weed7_Styleframe_3-1.png" data-mid="184898841" border="0"  src="https://freight.cargo.site/w/1000/i/6298e11ba9128337546d329f845020996ae9dd39d39b62f624610e7cf7aa6e13/CNN_Weed7_Styleframe_3-1.png" /&#62;_Animation
&#60;img width="960" height="540" width_o="960" height_o="540" data-src="https://freight.cargo.site/t/original/i/10bed26efc85c8565d00835063fd219bcdd6ca51fa082f6792a9f5e7dbd86148/CNN_Sanjay_3_3_v2.gif" data-mid="184899046" border="0"  src="https://freight.cargo.site/w/960/i/10bed26efc85c8565d00835063fd219bcdd6ca51fa082f6792a9f5e7dbd86148/CNN_Sanjay_3_3_v2.gif" /&#62;&#60;img width="960" height="540" width_o="960" height_o="540" data-src="https://freight.cargo.site/t/original/i/973732c688b571fa6b980bcdc6bad6a4d4dc7675e33ef71cef7367c5e2ecb5be/CNN_Sanjay_1_1_v2.gif" data-mid="184899045" border="0"  src="https://freight.cargo.site/w/960/i/973732c688b571fa6b980bcdc6bad6a4d4dc7675e33ef71cef7367c5e2ecb5be/CNN_Sanjay_1_1_v2.gif" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8f69a6052ae36b2dae1dbbf1b429e2440ef5d41e9adcc95237ab6adf7385eb6a/Thumb_Weed_Pills.jpg" data-mid="185102982" border="0"  src="https://freight.cargo.site/w/1000/i/8f69a6052ae36b2dae1dbbf1b429e2440ef5d41e9adcc95237ab6adf7385eb6a/Thumb_Weed_Pills.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1c52a042d5383beb0dd09751475220c43e77270636a97f6f369b427b47d4291d/CNN_Weed7_Styleframe_4-2.png" data-mid="184898819" border="0"  src="https://freight.cargo.site/w/1000/i/1c52a042d5383beb0dd09751475220c43e77270636a97f6f369b427b47d4291d/CNN_Weed7_Styleframe_4-2.png" /&#62;



From the kickoff, we all agreed that we wanted to keep the visuals vibrant and fun, but to also have a clean and polished tone to handle the more series moments talking about Alzheimers, aging, etc.


And while the story did make use of a lot of data and technical concepts, we agreed the best approach was to show and not tell; to steer away from making the audience read too much, letting the visuals stand central to tell the story without leaning on overused marijuana tropes.


After an initial set of moodboards and styleframes, I jumped into some R&#38;amp;D. Cinema 4D, Redshift, and After Effects would make quick work of the basics (data visualizations, gummies, pills, etc), however, with several of the explainer shots intentionally left clean and minimal; nailing a single character’s posture and expression was crucial to tell the story. Thus, I needed a robust solution.


While Adobe’s Mixamo mocap data works well with both Cinema 4D and Unreal Engine for the overall body movements, it was Unreal’s customizable Metahuman rig that ultimately achieved the most efficient and highest production value results. I was able to adjust facial features, complexion, and clothing with ease.


Syncing my iPhone camera to Unreal, I was also able to see and record my own facial expressions in real-time, mapped onto the Metahuman rig. The immediacy of that feedback really made the difference, as I could see how my own facial performance capture blended with the Mixamo body mocap data, and without rendering to be able to adjust my performance.


This really elevated the nuance and detail to the animation, nailing the tone and expressiveness we needed, and delivered with greater efficiency than I could have done on my own straight in C4D.


With about 2.5 weeks from kickoff to final delivery for over 4 minutes of animation, organization and clear communication was vital. Everyone stepped up together and all were happy with the results.
Debuting in primetime on&#38;nbsp;The Whole Story with Anderson Cooper, the episode ranked #1 in cable news in the (P25-54) demo and set a series-best ratings record.







Art Director, Designer, Animator: Padraic Driscoll
Talent: Dr. Sanjay Gupta
Executive Producer: Ben TinkerSupervising Producer: Matt Scheibner
Senior Producer: Melissa Dunst Lipman
Editor:&#38;nbsp;Steven Keller

Music:&#38;nbsp;High Klassified - Kefka


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/53aba6471153a45517105dd409922350fefeaf6968b6ba93cd046793630c2a27/CNN_Weed7_Styleframe_3-2.png" data-mid="184898842" border="0"  src="https://freight.cargo.site/w/1000/i/53aba6471153a45517105dd409922350fefeaf6968b6ba93cd046793630c2a27/CNN_Weed7_Styleframe_3-2.png" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/98a701238385167a00450c90f4925b17f36a8efc1882216449c774ed73f5bb97/CNN_Weed7_Styleframe_4-1.png" data-mid="184898669" border="0"  src="https://freight.cargo.site/w/1000/i/98a701238385167a00450c90f4925b17f36a8efc1882216449c774ed73f5bb97/CNN_Weed7_Styleframe_4-1.png" /&#62;
</description>
		
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	<item>
		<title>No Scope</title>
				
		<link>https://padraicdriscoll.com/No-Scope</link>

		<pubDate>Wed, 31 May 2023 14:56:58 +0000</pubDate>

		<dc:creator>The Portfolio of Padraic Driscoll</dc:creator>

		<guid isPermaLink="true">https://padraicdriscoll.com/No-Scope</guid>

		<description>


	_No Scope
	For a new installment of ESPN’s 30-for-30 series, BGSTR was brought in to develop a visual style to fit the meteoric rise and fall of esports behemoth FaZe Clan.






_The Process

_Moodboard
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2e239bcf2f1ab675cffa061bbc3fb0ae354834d959de3ff96140ffae2d1fe811/BTS_NoScope_Moodboard.jpg" data-mid="211785724" border="0"  src="https://freight.cargo.site/w/1000/i/2e239bcf2f1ab675cffa061bbc3fb0ae354834d959de3ff96140ffae2d1fe811/BTS_NoScope_Moodboard.jpg" /&#62;_Styleframes
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/76160772e841039e1d4976ce745a96ac4c9da1eab42be8f304f5f9132353c923/NoScope_TitleCard_13.jpg" data-mid="180622423" border="0"  src="https://freight.cargo.site/w/1000/i/76160772e841039e1d4976ce745a96ac4c9da1eab42be8f304f5f9132353c923/NoScope_TitleCard_13.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/90b82c6db038ee74f74d556648e1ddd5c762f493599b6fdd306cfdf764c488d0/NoScope_TitleCard_08.jpg" data-mid="180622420" border="0"  src="https://freight.cargo.site/w/1000/i/90b82c6db038ee74f74d556648e1ddd5c762f493599b6fdd306cfdf764c488d0/NoScope_TitleCard_08.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/eecd5ef016833b740fd5f6edf7ea1676939a21961cb23424e07e69c1b8475ab8/NoScope_TitleCard_01.jpg" data-mid="180622416" border="0"  src="https://freight.cargo.site/w/1000/i/eecd5ef016833b740fd5f6edf7ea1676939a21961cb23424e07e69c1b8475ab8/NoScope_TitleCard_01.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/28bd6ce8a1d4f771b59558385a9d7b5bf6ea6158e6b4a492f4ce4da8fd43dc55/NoScope_TitleCard_05.jpg" data-mid="180622418" border="0"  src="https://freight.cargo.site/w/1000/i/28bd6ce8a1d4f771b59558385a9d7b5bf6ea6158e6b4a492f4ce4da8fd43dc55/NoScope_TitleCard_05.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1f4c0828e0fc0280c7bd670406987be134f74fed0e113b96200e44ed2e48164c/NoScope_TitleCard_04.jpg" data-mid="180622417" border="0"  src="https://freight.cargo.site/w/1000/i/1f4c0828e0fc0280c7bd670406987be134f74fed0e113b96200e44ed2e48164c/NoScope_TitleCard_04.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4c37ed397cc3bd163b561761419535a80df760ae07233921a56eff62f0a5227d/NoScope_TitleCard_11.jpg" data-mid="180622421" border="0"  src="https://freight.cargo.site/w/1000/i/4c37ed397cc3bd163b561761419535a80df760ae07233921a56eff62f0a5227d/NoScope_TitleCard_11.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6ff7c0a829b943e31d518de3eac0928951532935f710138865495bd47291a5b9/BTS_NoScope_Styleframe.jpg" data-mid="180622525" border="0"  src="https://freight.cargo.site/w/1000/i/6ff7c0a829b943e31d518de3eac0928951532935f710138865495bd47291a5b9/BTS_NoScope_Styleframe.jpg" /&#62;





 (‘No Scope’ being a double entendre of ‘360 no scope’, the ‘no look pass’ of gaming, and the lack of business planning that brought it all crashing down).


After initial explorations into vibrant and more graphical cyberpunk aesthetics, we landed with the client on a colder and more ominous visual tone, blurring the macro and micro into an abstraction of mechanized and brutalist forms.


It was within this abstracted space that we developed the title sequence and custom explainers, in tandem with toolkitted tweets, and headlines.



Creative Director: Ross HendersonArt Director, Lead Designer: Padraic Driscoll
Additional Animators:&#38;nbsp;Tifé Odumosu,&#38;nbsp;Riley Carson

Executive Creative Director: Josh Norton
Executive Producer: Carson Hood
Producer: Jessica Rowley
Music: Igarashi Kanta - Drop It
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/2532a8b5f841b6fdc4a1916b9b1d0451bee96128af04b8f260e28777d5e56dc5/NoScope_MT_v11_glitchbackup_2.gif" data-mid="211785640" border="0"  src="https://freight.cargo.site/w/800/i/2532a8b5f841b6fdc4a1916b9b1d0451bee96128af04b8f260e28777d5e56dc5/NoScope_MT_v11_glitchbackup_2.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/b0c7ee8e5b742463661f7d9bc6e0a92747c03426698bb92a0203df2649e4e322/L3RD_Right_AnimationTest_01.gif" data-mid="211785694" border="0"  src="https://freight.cargo.site/w/800/i/b0c7ee8e5b742463661f7d9bc6e0a92747c03426698bb92a0203df2649e4e322/L3RD_Right_AnimationTest_01.gif" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Southern Storytellers</title>
				
		<link>https://padraicdriscoll.com/Southern-Storytellers</link>

		<pubDate>Wed, 31 May 2023 14:58:59 +0000</pubDate>

		<dc:creator>The Portfolio of Padraic Driscoll</dc:creator>

		<guid isPermaLink="true">https://padraicdriscoll.com/Southern-Storytellers</guid>

		<description>


	_Southern Storytellers
	A new documentary series from PBS and award-winning filmmaker Craig Renaud follows some of the South’s most compelling and influential contemporary creators to the places they call home — the communities that fertilize the stories they tell in books, songs, poems, plays and on screens large and small.








_The Process_Moodboard&#60;img width="1920" height="832" width_o="1920" height_o="832" data-src="https://freight.cargo.site/t/original/i/51dd449f4e652b5a7beda10a804f01b2d14b463d0ee6691484c7da8190a7384e/BTS_Southern_Moodboard.jpg" data-mid="180619491" border="0"  src="https://freight.cargo.site/w/1000/i/51dd449f4e652b5a7beda10a804f01b2d14b463d0ee6691484c7da8190a7384e/BTS_Southern_Moodboard.jpg" /&#62;
_Styleframes
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cd1131c3c22374d0e67b504edd12b18157e5c8036e0a0462a4b8f282f3a1401a/SouthernStorytellers_02.jpg" data-mid="180618381" border="0"  src="https://freight.cargo.site/w/1000/i/cd1131c3c22374d0e67b504edd12b18157e5c8036e0a0462a4b8f282f3a1401a/SouthernStorytellers_02.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/39e66b475f64a01d736445bd1a6e257dc4fe2a237700fa19a372b3e104c5a418/SouthernStorytellers_04.jpg" data-mid="180618383" border="0"  src="https://freight.cargo.site/w/1000/i/39e66b475f64a01d736445bd1a6e257dc4fe2a237700fa19a372b3e104c5a418/SouthernStorytellers_04.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/db3ec22d4a68f963f68f92f8484641ca928916ff41889d6dc41d67850ea1a4f1/SouthernStorytellers_Styleframes_rd2_11.jpg" data-mid="185228754" border="0"  src="https://freight.cargo.site/w/1000/i/db3ec22d4a68f963f68f92f8484641ca928916ff41889d6dc41d67850ea1a4f1/SouthernStorytellers_Styleframes_rd2_11.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d3ff7a250d4cb30720c262f448152490b91cb447ba18cf1c20441ecb7665ee2c/SouthernStorytellers_03.jpg" data-mid="180618382" border="0"  src="https://freight.cargo.site/w/1000/i/d3ff7a250d4cb30720c262f448152490b91cb447ba18cf1c20441ecb7665ee2c/SouthernStorytellers_03.jpg" /&#62;

To introduce this series to the audience with its title sequence, we really focused on the intimacy, and the layered history of the American South and its landscape, using the adage “the North contemplates, the South ruminates” as our north star.


Themes of elusiveness, multiplicity, decay, heat, and recontextualization informed the development of the look and animation, where we played with texture, time, and collage.




Creative Director: Mark Thompson
Art Director &#38;amp; Lead Designer: Padraic Driscoll
Executive Creative Director: Josh NortonExecutive Producer: Carson HoodProducer: Jessica Rowley

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1f3a22215dcdcb85758d8f02b48b19f8222fab479c1348925d4c198f9a524798/SouthernStorytellers_Styleframes_21.jpg" data-mid="180618426" border="0"  src="https://freight.cargo.site/w/1000/i/1f3a22215dcdcb85758d8f02b48b19f8222fab479c1348925d4c198f9a524798/SouthernStorytellers_Styleframes_21.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b624df50ed1f378577741fd30dd288c15dd70d823177b3d8ddfa4fbe7432ba0a/SouthernStorytellers_Styleframes_15-0-00-00-00.jpg" data-mid="180618425" border="0"  src="https://freight.cargo.site/w/1000/i/b624df50ed1f378577741fd30dd288c15dd70d823177b3d8ddfa4fbe7432ba0a/SouthernStorytellers_Styleframes_15-0-00-00-00.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2778ed177491cc209a8e5eab1736a36073a9e6d723655173352f69987be6cf80/SouthernStorytellers_Styleframes_27.jpg" data-mid="180618427" border="0"  src="https://freight.cargo.site/w/1000/i/2778ed177491cc209a8e5eab1736a36073a9e6d723655173352f69987be6cf80/SouthernStorytellers_Styleframes_27.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Gospel</title>
				
		<link>https://padraicdriscoll.com/Gospel</link>

		<pubDate>Wed, 31 May 2023 15:02:18 +0000</pubDate>

		<dc:creator>The Portfolio of Padraic Driscoll</dc:creator>

		<guid isPermaLink="true">https://padraicdriscoll.com/Gospel</guid>

		<description>


	_Gospel
	PBS, in collaboration with historian Henry Louis Gates Jr., developed a new limited series, detailing the origin and cultural impact of gospel music.&#38;nbsp;BGSTR was brought in to help bring to life this origin story, weaving explainer animations and treated archival materials with existing voiceover and interviews.








_The Process_Moodboard

&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/7fb4593f6f8f8c4431df6cc686d41ffafc5f9b1db88eb6294b5a5d114cff2fc1/BTS_Gospel_02.png" data-mid="206129203" border="0"  src="https://freight.cargo.site/w/1000/i/7fb4593f6f8f8c4431df6cc686d41ffafc5f9b1db88eb6294b5a5d114cff2fc1/BTS_Gospel_02.png" /&#62;

_Styleframes
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/5e92b8f346b8986aa24aee4724fddbd65c548c71e3bd41ea341a3788c575a913/BTS_Gospel_06.png" data-mid="206131324" border="0"  src="https://freight.cargo.site/w/1000/i/5e92b8f346b8986aa24aee4724fddbd65c548c71e3bd41ea341a3788c575a913/BTS_Gospel_06.png" /&#62;&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/65fa5dc9b0dec9843b2a249074d324e6cd539e2540413b68ab501e4dbb6bc72e/BTS_Gospel_04.png" data-mid="206129205" border="0"  src="https://freight.cargo.site/w/1000/i/65fa5dc9b0dec9843b2a249074d324e6cd539e2540413b68ab501e4dbb6bc72e/BTS_Gospel_04.png" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/fa099704be2b6bd1132d876da6f2b69799e559dd58ef8635c7bb79b2bd1d97e6/BTS_Gospel_09.png" data-mid="206131404" border="0"  src="https://freight.cargo.site/w/1000/i/fa099704be2b6bd1132d876da6f2b69799e559dd58ef8635c7bb79b2bd1d97e6/BTS_Gospel_09.png" /&#62;&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/77c7e22416a931d46df1cbdf481f502b4a990f47daff55751249ed03e47cce01/BTS_Gospel_07.png" data-mid="206131325" border="0"  src="https://freight.cargo.site/w/1000/i/77c7e22416a931d46df1cbdf481f502b4a990f47daff55751249ed03e47cce01/BTS_Gospel_07.png" /&#62;

We leveraged historical photography, print publications, album art, and performance footage to create a rich visual tapestry, celebrating the vitality and vibrancy of this musical movement.


The four-part series is available at: https://www.pbs.org/show/gospel/Creative Director: Mark Thompson

Art Director, Animator: Padraic Driscoll

Designer, Animator: Ivan Viaranchyk

Additional Animation: Chris Scales, Ayden Ackerman


Executive Creative Director: Josh Norton

Executive Producer: Carson Hood

Producer: Jessica Rowley


Music:&#38;nbsp;Resistance Revival Chorus - Take me to Church (feat. Allison Russell)

&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/0b7b5b6ce2e8ce27e6515f090e28b7bb530fb4cdb3924980e6b0e71251325c7a/GSPL_101_ChainStores_v04.gif" data-mid="206128838" border="0"  src="https://freight.cargo.site/w/800/i/0b7b5b6ce2e8ce27e6515f090e28b7bb530fb4cdb3924980e6b0e71251325c7a/GSPL_101_ChainStores_v04.gif" /&#62;&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/85f653dcc72ffa9d1fb8185ffd333aca89b9c151e76999469cabaa827c703d40/GSPL_MainTitle_v08.gif" data-mid="206128793" border="0"  src="https://freight.cargo.site/w/800/i/85f653dcc72ffa9d1fb8185ffd333aca89b9c151e76999469cabaa827c703d40/GSPL_MainTitle_v08.gif" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Sex Before the Internet</title>
				
		<link>https://padraicdriscoll.com/Sex-Before-the-Internet</link>

		<pubDate>Wed, 31 May 2023 14:53:43 +0000</pubDate>

		<dc:creator>The Portfolio of Padraic Driscoll</dc:creator>

		<guid isPermaLink="true">https://padraicdriscoll.com/Sex-Before-the-Internet</guid>

		<description>


	_Sex Before the Internet
	Today, we live in a world of instant gratification; whatever you want, whenever you want it. However, before PornHub and OnlyFans, the industry was run via VHS tapes, magazines and 1-900 numbers. This nonfiction series for VICE World News and Aquitania films reexamines the social and sexual stigmas of this era through a new lens.







_The Process_BTS


_Moodboards
&#60;img width="1920" height="960" width_o="1920" height_o="960" data-src="https://freight.cargo.site/t/original/i/7a656b292efdb6516332b1ff64a1f120321458a167e7487e2246ee7e7fcfc613/SBTI_Moodboard_Scene.jpg" data-mid="180622245" border="0"  src="https://freight.cargo.site/w/1000/i/7a656b292efdb6516332b1ff64a1f120321458a167e7487e2246ee7e7fcfc613/SBTI_Moodboard_Scene.jpg" /&#62;&#60;img width="1920" height="960" width_o="1920" height_o="960" data-src="https://freight.cargo.site/t/original/i/13d1bfa96151700356833c06b7d5c32bc7abb40e90d142e67cfbef07e556c03d/SBTI_Moodboard_VHS.jpg" data-mid="180622246" border="0"  src="https://freight.cargo.site/w/1000/i/13d1bfa96151700356833c06b7d5c32bc7abb40e90d142e67cfbef07e556c03d/SBTI_Moodboard_VHS.jpg" /&#62;
_Styleframes
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c90862aec4b223b48fffeb0433874ee12d66f8ebd4c66913554a2f9fd2bd079a/SBTI_01.jpg" data-mid="180622244" border="0"  src="https://freight.cargo.site/w/1000/i/c90862aec4b223b48fffeb0433874ee12d66f8ebd4c66913554a2f9fd2bd079a/SBTI_01.jpg" /&#62;


The challenge was to showcase the rich visual history of the sex industry without simply re-objectifying the subjects. We dug extensively for imagery to highlight the diverse voices and perspectives that are often overlooked from that era. 
Starting with extremely NSFW material, we cropped in very tightly, creating a series of up-close moments to both draw in the viewer with an intimate, sensory experience, but also to starkly showcase, in true VICE form, content that otherwise would be impossible to show without censor.https://www.vicetv.com/en_us/show/sex-before-the-internet



Art Director &#38;amp; Lead Designer: Padraic Driscoll
2D Animators: Liu Chia-Lung, Brian Landisman, Riley Carson

Executive Creative Director: Josh Norton
Executive Producer: Carson HoodProducer: Jessica RowleyAssociate Producer: Paulina Casey

Music: Lords of Acid - Rubber Doll


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d39de61e1b11bfcce9c7eceb5f2d1cc2d0d4269fa75d04955b0e41fcf95a3dfd/SBTI_Styleframes_v015_4-0-00-00-01.jpg" data-mid="180622247" border="0"  src="https://freight.cargo.site/w/1000/i/d39de61e1b11bfcce9c7eceb5f2d1cc2d0d4269fa75d04955b0e41fcf95a3dfd/SBTI_Styleframes_v015_4-0-00-00-01.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0046a88550d731d01ca58996c0035a34a9c4898b57362ca7dfdabe080daebe26/SBTI_Styleframes_v015_6-0-00-00-00.jpg" data-mid="180622248" border="0"  src="https://freight.cargo.site/w/1000/i/0046a88550d731d01ca58996c0035a34a9c4898b57362ca7dfdabe080daebe26/SBTI_Styleframes_v015_6-0-00-00-00.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/16d82529e8f770de96130c574ec2f4bce8fc3a25b4e6000e19a3ecb2bb3b404e/SBTI_Styleframes_v015_9-0-00-00-00.jpg" data-mid="180622249" border="0"  src="https://freight.cargo.site/w/1000/i/16d82529e8f770de96130c574ec2f4bce8fc3a25b4e6000e19a3ecb2bb3b404e/SBTI_Styleframes_v015_9-0-00-00-00.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Leguizamo Does America</title>
				
		<link>https://padraicdriscoll.com/Leguizamo-Does-America</link>

		<pubDate>Wed, 31 May 2023 15:00:48 +0000</pubDate>

		<dc:creator>The Portfolio of Padraic Driscoll</dc:creator>

		<guid isPermaLink="true">https://padraicdriscoll.com/Leguizamo-Does-America</guid>

		<description>


	_Leguizamo Does America
	In this six-part series from NBC News Studios, host John Leguizamo travels across the country to celebrate the rich and diverse Latino cultures in six different destinations, exploring food, politics, music, and everything in between along the way. ⁠






_The Process
_Styleframes

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In collaboration with MSNBC, we created a high energy title sequence for the series, aiming to strike a balance between celebration and sophistication, showcasing John’s natural charisma and enthusiasm with vibrancy and color. The themes of translation, transformation, and the merging of the old and new, were very inspirational for us, driving the cacophanous and flavorful attitude that carries across the show. It was a blast to make, check it out on Peacock!https://www.msnbc.com/leguizamodoesamerica


Art Director &#38;amp; Lead Designer: Padraic Driscoll
Additional Design &#38;amp; Animation:&#38;nbsp;Sohyun Park, Steve Fuller, Ivan Viaranchyk
Executive Creative Director: Josh Norton

Executive Producer: Carson Hood
Producer: Kristen Pritchett
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